In 2017, I had the profound opportunity to work as a research assistant for artist Taraneh Hemami during her residency at the California Institute of Integral Studies (CIIS) in San Francisco. This collaboration was part of the "Theory of Survival: Fabrications" project, an ambitious exhibition and publication initiative that aimed to uncover and showcase the intentionally erased histories of dissent in Iran. This project was deeply meaningful, blending art and research to shed light on important cultural narratives.
The Vision
"Theory of Survival: Fabrications" is a continuation of Taraneh Hemami’s ongoing effort to archive and narrate the stories of Iranian political dissent. The project seeks to make visible the histories that have been systematically erased from public memory, creating a platform for voices that have been silenced. Hemami's work is not only a tribute to these lost narratives but also a call to action, encouraging viewers to reflect on issues of memory, identity, and resistance.
My Role
As a research assistant, my primary responsibility was to conduct in-depth research that would inform the development and narrative of the project. This involved extensive archival work, gathering historical documents, and piecing together stories that had been fragmented or hidden. My work was crucial in building a comprehensive narrative that could be translated into visual and textual elements for the exhibition and publication.
Working closely with Hemami, I delved into various sources, including personal testimonies, historical records, and cultural artifacts. This meticulous research was aimed at uncovering the nuances and complexities of the stories we sought to tell. The process was both challenging and rewarding, requiring a balance of analytical rigor and creative interpretation.
The Exhibition
The exhibition, which was held at the CIIS, was a powerful manifestation of our collaborative efforts. Through a combination of visual art, archival material, and interactive installations, "Theory of Survival: Fabrications" invited viewers to engage with the histories of Iranian dissent in a deeply personal and reflective manner. The artworks were meticulously crafted to evoke a sense of loss, resilience, and resistance, encouraging viewers to connect with the stories on an emotional level.
One of the key elements of the exhibition was the use of textiles and handcrafted objects, which served as metaphors for the fragility and strength of the narratives we uncovered. These pieces were not just art objects but carriers of stories, each thread and pattern holding a piece of history that had been painstakingly researched and preserved.
The Impact
"Theory of Survival: Fabrications" had a significant impact on both the art community and the broader public. The exhibition received critical acclaim for its innovative approach to storytelling and its ability to make complex historical narratives accessible and engaging. For me, being part of this project was a transformative experience. It deepened my understanding of the power of art as a tool for social change and reinforced my commitment to using my skills to uncover and share important cultural narratives.
Reflecting on my time as a research assistant for this project, I am filled with a sense of pride and gratitude. It was an honor to work alongside Taraneh Hemami and contribute to a project that has had such a profound impact. The lessons I learned during this time continue to influence my approach to art and research.
If you’re interested in learning more about my work or exploring how we can collaborate on similar projects, contact me. Let's continue to harness the power of art to uncover hidden histories and inspire meaningful change.